"This creates a more massive and integrated look." "I work closely with Charlie from Atomic design and Fuji Cortina to populate any visual gaps with lighting," he explained. Toward this end, he strives to minimize empty spaces between video walls and the lighting rig, which although they may be ok for live audiences, come off differently in the less forgiving two-dimensional world of television. To achieve this vision, Kenny works closely with the entire design team to ensure the seamless integration of light and video on stage. "Every year I try to have the most modern and popular fixtures for the visiting designers to work with so they can create dynamic looks in this big space (T-Mobile Arena) that come off well from every camera angle." "This is a big, multi-camera TV show," said Kenny. Tom Kenny always has this duality firmly planted in this mind when designing the lighting rig for this two-day series of performances by stars like Black Eyed Peas, Pitbull, Lionel Richie, Diplo, and The Black Keys. Although it's called a "festival," this star-studded event is also, at its core, a nationally televised special. Take the annual iHeartRadio Music Festival. LAS VEGAS - What's in a name? Sometimes, just a glimpse of the total picture. Read more about LD Tom Kenny's lighting design for the festival here. 4Wall provided the lighting, rigging, and video equipment, for the 2022 iHeart Radio Music Festival, Which included 700 light fixtures, 400+ ROE Visual CB5 & CB8 LED Video Panels, 1,400' of Tyler Truss Systems LLC GT Truss, and more.
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